A work in constant progress (and occasional regress).
Birthplace:
Imperatriz, Maranhão, Brazil
Born:
January 1, 1989
Born in 1989 in Imperatriz, Brazil, Eduardo Mamede began his artistic journey over a decade ago. He completed his degree in fashion design at the University of Amazonia and furthered his studies in audiovisual media in São Paulo. In 2019, Mamede relocated to Berlin, where he continues to pursue his passion. Mamede's artistic pursuits encompass photography and film direction. Notably, a significant portion of his portfolio showcases images captured using smartphones, a deliberate choice that not only contributes to the aesthetic of his work but also emphasizes the power of the eyes in capturing fleeting moments of connection between photographer and subject. This approach highlights the documentary nature of his output, centered around people and their stories, striving to create meaningful connections. Mamede's work thrives on his unique creative vision and his undeniable empathetic character.
Director:
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2022 Male Shorts: International V4
Producer:
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2022 Male Shorts: International V4
Screenplay:
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2022 Male Shorts: International V4
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.