A work in constant progress (and occasional regress).
Alias:
Kayla Galang
Birthplace:
Olongapo City, Zambales, Philippines
Kayla Abuda Galang is a filmmaker based in Austin, Texas, drawing from the humor and details of her communities, surroundings, memory, and the television that raised her. Her short film, When You Left Me On That Boulevard, won the Short Film Grand Jury Prize at the 2023 Sundance Film Festival. She was named one of Filmmaker Magazine’s 25 New Faces of Independent Film, received the Ani ng Dangal from the National Commission for Culture and Arts of the Philippines, and joined the Academy of Motion Picture Arts and Sciences as a voting member in the Short Films Branch. She works as a video producer at the University of Texas.
Cinematography:
2013 Papa
2021 Learning Tagalog with Kayla
Colorist:
2013 Papa
2021 Learning Tagalog with Kayla
Director:
2013 Papa
2016 Joan On The Phone
2021 Learning Tagalog with Kayla
2023 When You Left Me on That Boulevard
2025 An Ongoing List of Things Found in the Library Book Drop, Usually Being Used as Bookmarks
Editor:
2013 Papa
2016 Joan On The Phone
2021 Learning Tagalog with Kayla
2023 When You Left Me on That Boulevard
2025 An Ongoing List of Things Found in the Library Book Drop, Usually Being Used as Bookmarks
???? Shirt Orders with Rory Blank
Screenplay:
2013 Papa
2016 Joan On The Phone
2021 Learning Tagalog with Kayla
2023 When You Left Me on That Boulevard
2025 An Ongoing List of Things Found in the Library Book Drop, Usually Being Used as Bookmarks
???? Shirt Orders with Rory Blank
Writer:
2013 Papa
2016 Joan On The Phone
2021 Learning Tagalog with Kayla
2023 When You Left Me on That Boulevard
2025 An Ongoing List of Things Found in the Library Book Drop, Usually Being Used as Bookmarks
???? Shirt Orders with Rory Blank
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.