A work in constant progress (and occasional regress).
Alias:
The Eastman Kodak Girl
Birthplace:
Philadelphia, Pennsylvania, USA
Born:
August 18, 1898
Died:
December 12, 1991
Olive Eleanor Boardman (August 19, 1898 – December 12, 1991) was an American film actress of the silent era. Olive Eleanor Boardman was born on August 19, 1898, the youngest child to George W. Boardman and Janice Merriam "Jennie" Stockman Boardman. She had two older sisters named Merriam and Esther. In 1920, she was working as a contractor. Educated in Philadelphia, Boardman originally acted on stage, but she lost her voice while starring in The National Anthem. She then entered a nationwide contest for new actors and actresses for silent films. She was chosen from among 1,000 competitors by Goldwyn Pictures as their "New Face of 1922". Her initial screen test was unsuccessful, but a second test resulted in a contract. After several successful supporting roles, she played the lead in Souls for Sale in 1923. That same year, Boardman's growing popularity was reflected by her inclusion on the list of WAMPAS Baby Stars. She appeared in more than 30 films during her career, including director King Vidor's The Crowd (1928). Her performance in that film is widely recognized as one of the outstanding performances in American silent film. In 1932, after some success in sound films, she parted ways with MGM. Her final film was The Three Cornered Hat, which was made in Spain in 1935. After that production, she retired from acting and retreated from Hollywood. Her last appearances were in an interview filmed for Kevin Brownlow and David Gill's British documentary series Hollywood (1980) and the series MGM: When the Lion Roars (1992).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.