A work in constant progress (and occasional regress).
Birthplace:
Limerick City, Munster, Ireland
Jonathan Hughes is a screenwriter and playwright based in Limerick City. He completed an MA degree in Script Writing at Goldsmiths University of London and a BA(Hons) in Film & TV Production from the National Film School of Ireland at IADT. Jonathan has channeled his turbulent upbringing and years spent in the closet into a fresh perspective on contemporary life which has seen his scripts in high demand. Jonathan was awarded Best Screenplay at Waterford Film Festival for his short project, The Wake. The Wake was also selected as the recipient of the Clones Film Festival funding award. Two of Jonathan's scripts were produced for Goldsmiths University of London; winning a best screenplay award for his work on graduation film See You In Hell. He won the Filmbase/RTE Short Shots funding award for his short comedy script Acorn. The film premiered at the Galway Film Fleadh 2017 before playing the festival circuit worldwide. Jonathan was awarded the Galway Film Centre/ RTE short film funding prize for his short script MOTHER. He also received funding from Screen Ireland for his short project Mary through their Short Stories scheme. Both Mary and MOTHER premiered at the 30th Galway Film Fleadh in 2018 screened worldwide at various festivals. In January 2019, Jonathan received a nomination for the prestigious Discovery Award at the Virgin Media Dublin International Film Festival. In 2020, his directorial debut, the short film Operator, was selected for the first ever online Galway Film Fleadh and has since gone on to screen at dozens of festivals at home and abroad. Also in 2020, his short film project La Tumba was awarded the DLR First Frames funding prize by Dun Laoghaire Rathdown County Council and the National Film School of Ireland at IADT. Jonathan's distinct voice has translated into comedy projects that have strong universal appeal; his scripts have tickled the funny bones and warmed the hearts of audiences all over the world.
Costume Supervisor:
2016 The Young Offenders
Director:
2016 The Young Offenders
2020 Operator
2022 The Talk
Director of Photography:
2016 The Young Offenders
2020 Operator
2022 The Talk
Editor:
2016 The Young Offenders
2020 Operator
2022 The Talk
Makeup Department Head:
2016 The Young Offenders
2020 Operator
2022 The Talk
Producer:
2016 The Young Offenders
2020 Operator
2022 The Talk
Production Coordinator:
2016 The Young Offenders
2020 Operator
2022 The Talk
Screenplay:
2016 The Young Offenders
2020 Operator
2022 La Tumba
2022 The Talk
Script Supervisor:
2016 The Young Offenders
2018 Christmas Perfection
2020 Operator
2022 La Tumba
2022 The Talk
Thanks:
2016 The Young Offenders
2018 Christmas Perfection
2020 Operator
2022 La Tumba
2022 Stream
2022 The Talk
2024 Rat King
Writer:
2016 The Young Offenders
2018 Christmas Perfection
2018 Mary
2018 Mother
2020 Operator
2022 La Tumba
2022 Stream
2022 The Talk
2024 Rat King
Script Supervisor:
2018 Finding Joy
2018 The Young Offenders
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.