A work in constant progress (and occasional regress).
Birthplace:
Limerick, Ireland
Shane Serrano is an award winning Director & Cinematographer from Limerick City, Ireland. Through his production company, Crude Media, Shane has been directing and producing short films, documentaries and commercial work for over 10 years, working on over 120 music videos for Irish and International artists. Many of his films have been selected by acclaimed film festivals globally, including the Newport Beach Film Festival, Galway Film Fleadh, Virgin Media Dublin International Film Festival and Chicago Irish Film Festival. In 2019 he was the recipient of the Special Recognition Award for Outstanding Contribution to Film in Limerick, at the Richard Harris International Film Festival.
Boom Operator:
2018 Night Shift
Camera Operator:
2018 Night Shift
2021 Imbas Forosnai
2024 The Gates
2025 Love of the Irish
Cinematography:
2018 Night Shift
2020 PADDY
2021 Imbas Forosnai
2024 The Gates
2025 Love of the Irish
Director:
2018 Night Shift
2020 PADDY
2021 Imbas Forosnai
2024 The Gates
2025 Love of the Irish
Director of Photography:
2018 Night Shift
2020 PADDY
2021 Imbas Forosnai
2023 The Life of Lester Wink
2024 The Gates
2025 Love of the Irish
Drone Operator:
2018 Night Shift
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 The Life of Lester Wink
2024 The Gates
2025 Love of the Irish
Epk Camera Operator:
2018 Night Shift
2018 Royally Ever After
2020 Four Kids and It
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 The Life of Lester Wink
2024 The Gates
2025 Love of the Irish
Executive Producer:
2018 Night Shift
2018 Royally Ever After
2020 Four Kids and It
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 The Life of Lester Wink
2024 The Gates
2025 Love of the Irish
Musician:
2018 Night Shift
2018 Royally Ever After
2020 Four Kids and It
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 The Life of Lester Wink
2024 The Gates
2025 Love of the Irish
Second Assistant Camera:
2018 Night Shift
2018 Royally Ever After
2020 Four Kids and It
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 The Life of Lester Wink
2024 The Gates
2025 Love of the Irish
Still Photographer:
2018 Night Shift
2018 Royally Ever After
2020 Four Kids and It
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 The Life of Lester Wink
2024 Naked Lights
2024 The Gates
2025 Love of the Irish
Thanks:
2018 Night Shift
2018 Royally Ever After
2020 Four Kids and It
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 Supernova
2023 The Life of Lester Wink
2024 Naked Lights
2024 Rat King
2024 The Gates
2025 Love of the Irish
Writer:
2018 Night Shift
2018 Royally Ever After
2020 Four Kids and It
2020 PADDY
2021 Imbas Forosnai
2021 Ship of Souls
2023 Supernova
2023 The Life of Lester Wink
2024 Naked Lights
2024 Rat King
2024 The Gates
2025 Love of the Irish
Camera Trainee:
2018 Nightflyers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.