A work in constant progress (and occasional regress).
Kristin Reeves has shown her interdisciplinary work internationally in museums, galleries, theatres, art events and festivals such as the Museum of Contemporary Art Chicago, Microscope Gallery, Ann Arbor Film Festival, Antimatter [Media Art], Crossroads, The Chicago Underground Film Festival, European Media Arts Festival, FLEX, Revelation Perth. Reeves has also collaborated in over 20 live multimedia productions including projects staged at Steppenwolf Theater, Chicago; The Boiler, Brooklyn; The Granoff Center, Providence. She was the Co-Artistic Director for 2020 That One Film Festival. She is currently an Assistant Professor of Intermedia Art at Ball State University in Muncie, IN.
Director:
1999 Body Contours
2011 &Human
2012 The White Coat Phenomenon
2017 Music of Desire
2021 What Is Nothing (After What Is Nothing)
2025 Je Ne Sais Plus [What Is This Feeling] Studio Version
2025 Parts 1-7 [When moving the body forward, the term for the movement depends on the body part being moved.]
???? CPS Closings + Delays
???? THREADBARE
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.