A work in constant progress (and occasional regress).
Alias:
Faith Nasali Kiggundu
Birthplace:
Hackney, London, England, UK
Born:
April 17, 1999
Faith Kiggundu is a British-French actress known for Real Story of American Gangster (2019), Ariella (2019), Cupid (2020), PODS (2020), Cannibal Troll (2021) & Dashcam (2021). Faith began training in Ballet from the age of 5 and later on started training in theatre from the age of 12. She has also been trained in Contemporary Dance. Faith has been trained in musical theatre to then continue her training at The Young Actors Theatre. In 2016, Faith performed at The National Theatre as part of the connections festivals where she played a supporting role. From 2017, she began working professionally in a few short films, commercials & feature films. She finished training at Kingston College to help her develop her craft as a young professional actress.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.