Natalie Jasmine Harris

Alias:
Natalie Harris

Natalie Jasmine Harris is an award-winning filmmaker with a Bachelor of Fine Arts from New York University's Tisch School of the Arts. Harris’ filmmaking is deeply rooted in exploring tradition, coming-of-age experiences, showcasing Black joy, and imagining pathways to liberation for marginalized communities. She incorporates these themes across her fictional, documentary, and commercial work.  Natalie's latest short film, GRACE, had its world premiere at The 2024 Sundance Film Festival and has screened at dozens of film festivals since including Torino Film Festival (Turin, Italy), Palm Springs International ShortFest and BlackStar Film Festival. In February 2025, the film received a Vimeo Staff Pick distinction and was later acquired to stream by The Criterion Channel.  PURE, Natalie's NYU thesis short film, received The Directors Guild of America's Student Film Award and was acquired by HBO to stream on Max. Natalie is developing a feature-length version of PURE with co-writer Yoko Kohmoto and award-winning producer Avril Speaks, which she hopes will become her debut feature film. The project has garnered support from SFFILM's Rainin Screenwriting Grant, The Gotham Week Project Market, Outfest's Screenwriting Lab, The Toronto LGBTQ+ Financing Forum, Film Independent Fast Track, and The Women In Film x Sundance Financing Intensive. While in a documentary filmmaking fellowship with Traverse32 and Outfest Film Festival, Natalie directed the documentary short film, BEN IN BLOOM, which was recently released in partnership with the It Gets Better Foundation and has screened at festivals such as The Philadelphia Film Festival and BFI Flare. In 2024, Natalie was hired to direct for the documentary short film series FLOWERS from YouTube and Academy-Award Winning Breakwater Studios. Her episode became the series' first to surpass 1 million views, ultimately amassing over 8 million views. Natalie has participated in artist programs with Film at Lincoln Center, GLAAD, The New York Foundation for the Arts, SFFILM, Outfest, PBS Creative Voices, and Sundance Institute.

Additional information:

The Search Form


Costume Design:
2024  Grace

Director:
2021  Pure
2024  Ben in Bloom
2024  Grace

Editor:
2021  Pure
2024  Ben in Bloom
2024  Grace

Producer:
2019  a dios
2020  See You Soon
2021  Pure
2024  Ben in Bloom
2024  Grace
????  Retrieval

Screenplay:
2019  a dios
2020  See You Soon
2021  Pure
2024  Ben in Bloom
2024  Grace
????  Retrieval

Writer:
2019  a dios
2020  See You Soon
2021  Pure
2024  Ben in Bloom
2024  Grace
????  Retrieval

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.