Natalie Jasmine Harris

Alias:
Natalie Harris

Natalie Jasmine Harris is an award-winning Black queer filmmaker from Maryland. Her work is centered around a mission to tell stories that capture coming-of-age experiences and reimagine liberation for marginalized communities. Natalie's forthcoming short film, GRACE, had its world premiere at The 2024 Sundance Film Festival. She has participated in artist programs with Film at Lincoln Center, GLAAD, SFFILM, and Outfest. Natalie is currently a 2024/2025 Sundance Ignite Fellow. PURE, her NYU thesis short film, received The Directors Guild of America's Student Film Award and was acquired by HBOMax. Natalie is currently in development on a feature-length version of PURE, which she hopes to become her debut feature. The project has garnered support from SFFILM's Rainin Screenwriting Grant, The Gotham Week Project Market, Outfest's Screenwriting Lab, The Toronto LGBTQ+ Financing Forum, Film Independent Fast Track, and The Women In Film x Sundance Financing Intensive. Natalie’s work has been featured in Teen Vogue, THEM Magazine, Huffington Post, The Cut, NBC, and more.

Additional information:

The Search Form


Costume Design:
2024  Grace

Director:
2021  Pure
2024  Ben in Bloom
2024  Grace

Editor:
2021  Pure
2024  Ben in Bloom
2024  Grace

Producer:
2021  Pure
2024  Ben in Bloom
2024  Grace
????  Retrieval
????  a dios

Screenplay:
2021  Pure
2024  Ben in Bloom
2024  Grace
????  Retrieval
????  a dios

Writer:
2021  Pure
2024  Ben in Bloom
2024  Grace
????  Retrieval
????  a dios

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.