A work in constant progress (and occasional regress).
Foley:
2022 A Day in the Life of a Teddy Bear
Foley Artist:
2016 Rust / Óxido (C)
2019 Approach
2022 A Day in the Life of a Teddy Bear
2022 Holy Emy
2022 The Last Journey
2023 Arizones
2023 Fingernails
Foley Editor:
2016 Rust / Óxido (C)
2019 Approach
2020 Defunct
2022 A Day in the Life of a Teddy Bear
2022 Holy Emy
2022 The Last Journey
2023 Arizones
2023 Fingernails
Sound Editor:
2016 Rust / Óxido (C)
2019 Approach
2019 Meltem
2020 Defunct
2021 Apples
2022 A Day in the Life of a Teddy Bear
2022 Holy Emy
2022 Pack of Sheep
2022 The Last Journey
2023 Arizones
2023 Fingernails
Sound Mixer:
2016 Rust / Óxido (C)
2017 Preparation
2019 Approach
2019 Meltem
2020 Defunct
2021 Apples
2022 A Day in the Life of a Teddy Bear
2022 Holy Emy
2022 Pack of Sheep
2022 The Last Journey
2023 Arizones
2023 Fingernails
Sound Recordist:
2016 Hiwa
2016 Rust / Óxido (C)
2017 Preparation
2018 Hector Malot: The Last Day of the Year
2019 Approach
2019 Meltem
2020 Defunct
2021 Apples
2022 A Day in the Life of a Teddy Bear
2022 Holy Emy
2022 Pack of Sheep
2022 The Last Journey
2023 Arizones
2023 Fingernails
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.