A work in constant progress (and occasional regress).
Alias:
Lindsay Hendrickson
Lindsay has a long-standing and significant impact in the world of improvisational theatre and comedy. With her roots tracing back to 2005, she has been influential in a myriad of roles, including as a director, producer, and performer. Her creative prowess is reflected in her creation, production, and direction of the Quick & Funny Musicals, recognized as an Official Selection at the New York Musical Festival. Her directorial expertise has been showcased through a vast array of over 100 musicals. Notable amongst them are Matt Besser's Freak Dance, 7th Grade: The Awkward Musical (official selection: SF Sketchfest), Sugar Ray the Musical by Rachel Bloom, Jeff Marx's Oh God! We're Gonna Die, and the solo performance in Working Girl: The One Woman Rock Opera. Others, like Texas: The Musical, Just Another Day in Beverly Hills, and many more, attest to her versatility and talent. Having served as the Director of the UCB Training Center in Los Angeles, Lindsay has since expanded her horizons. However, her contribution to the development and nurturing of comedic talent during her tenure remains invaluable. Beyond the UCB sphere, Lindsay co-founded the highly successful Improv Shmimprov in Orange County, which continues to draw full houses every weekend. Her performance credits extend to numerous comedy troupes and productions, including People of Whoville, Live Nude People! with clothes on, Bangs, Rewind, and There's No Crying in Improv at the Del Close marathon. A multi-talented artist, Lindsay has also lent her unique voice to Pixar's Monster's University and featured as Rich Lady #1 in the film Freak Dance. With a career marked by creativity, versatility, and a commitment to the craft, Lindsay continues to be a compelling force in the comedy and theatre scene.
Executive Producer:
2014 Bulimia: The Musical
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.