Reece Cargan

Reece is a BAFTA nominated and RTS award winning producer and founder of production companies ‘Bombito productions’ & ‘Randan’. Reece was selected by Screen International as an inaugural Rising Star Scotland.  Reece has produced numerous award winning shorts and recently co-produced his first two features with support from Screen Scotland:  1. Midwinter Break - a drama feature based on the book by Bernard MacLaverty directed by Polly Findlay with Shoebox Films and Film4.  2. Where Dragons Live by Suzanne Raes – a documentary co production with Docmakers & NTR- which premiered at Sheffield Doc fest in June 2024  Randan work across TV and film and have a number of projects in development, production and post. Reece is working across a varied slate of projects that span drama, documentary and animation.  Reece is a proud alumnus of EAVE Producers Workshop, BFI Insight, FLEX, Rotterdam Lab and Torino Film Lab.  Reece – as his slate attests, is passionate about working with and turning up the volume of queer talent, with a focus on intersectional LGBTQIA+ stories & voices.

Additional information:

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Co-Producer:
2024  Where Dragons Live

Executive Producer:
2024  Hot Young Geek Seeks Blood-Sucking Freak
2024  Park Life
2024  Where Dragons Live

Producer:
2018  Birthday Candles
2021  Everyman
2021  Prosopagnosia
2021  The Punishment
2022  Who Am I Now
2023  Clean
2023  Just Jackie
2023  Living with It
2024  Hot Young Geek Seeks Blood-Sucking Freak
2024  Park Life
2024  Where Dragons Live
????  Keith

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.