A work in constant progress (and occasional regress).
Following a childhood dream, Sarah Ruiz Del Vizo moved to England to study production design at Arts University Bournemouth. During my time at university, she was able to production design and concept many short films as well as work as a PA/intern on feature films. Post-graduation in 2016, Vizo was selected by her university to be sponsored for the Graduate Entrepreneurship Visa, which allowed her to continue to live and work in the UK for another two years. On this visa, Vizo worked on an assortment of projects and gained traditional drafting skills while working as an Art PA/Junior Draughtsman on feature films such as The Secret Garden, Han Solo: A Star Wars Story, and Fast and Furious Presents: Hobbs and Shaw. As well as the opportunity to work with Stuart Craig and the London art department on the upcoming Fantastic Beast theme park. Vizo's visa expired in October 2019 and she moved to LA, where she became a set designer with the Art Directors Guild and had the opportunity to work with the virtual art department on the Star Wars spin-off ‘Ahsoka’, the sci-fi feature ‘Atlas’ in Los Angeles, and the upcoming Captain America movie filmed in Atlanta. Most recently, she worked remotely on a theme park project based in Saudi Arabia as part of the Vision 2030 project. Vizo believes that one of the best parts of working in this field is going to unexpected places and meeting some of the most inspiring and creative people from all over the world, taking risks to pursue their dreams and tell stories. As said by Guillermo Del Toro, “The best thing our industry does is to help erase the lines in the sand when the world tries to make them deeper.”
Art Department Assistant:
2020 The Secret Garden
Set Designer:
2020 The Secret Garden
2025 Captain America: Brave New World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.