A work in constant progress (and occasional regress).
Birthplace:
Chengdu, China
An Shu is a Cinematographer, originally from Chengdu, China. A backpacker at an early age, her travels around Europe are where she discovered her passion for cross-cultural communication through film. After graduating from Communication University of China she worked for Phoenix TV as a journalist / writer-director for 3 years -- a valuable experience which broadened her understanding of the world and the people living in it. She then completed her Master’s degree in Film Production at University of Southern California focusing on cinematography.
Director:
2018 Dark Side of the Moon
2020 Nostalgia
Director of Photography:
2018 Dark Side of the Moon
2018 Influencers
2020 Nostalgia
2021 Dos De Asada
2021 Jurassic Punk
2023 Bless Her Heart
Editor:
2018 Dark Side of the Moon
2018 Influencers
2020 Caramel
2020 Nostalgia
2021 Dos De Asada
2021 Jurassic Punk
2023 Bless Her Heart
First Assistant Camera:
2018 Dark Side of the Moon
2018 Influencers
2019 Code_Switch
2020 Caramel
2020 Nostalgia
2021 Dos De Asada
2021 Jurassic Punk
2023 Bless Her Heart
Gaffer:
2018 Dark Side of the Moon
2018 Influencers
2019 Code_Switch
2020 Caramel
2020 Flush Lou
2020 Nostalgia
2021 Dos De Asada
2021 Jurassic Punk
2023 Bless Her Heart
Writer:
2018 Dark Side of the Moon
2018 Influencers
2019 Code_Switch
2020 Caramel
2020 Flush Lou
2020 Nostalgia
2021 Dos De Asada
2021 Jurassic Punk
2023 Bless Her Heart
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.