A work in constant progress (and occasional regress).
Creature Design:
1987 Blue Monkey
Makeup Artist:
1976 God Told Me To
1977 End of the World
1977 The Private Files of J. Edgar Hoover
1981 Full Moon High
1987 Blue Monkey
Makeup Effects:
1976 God Told Me To
1977 End of the World
1977 The Private Files of J. Edgar Hoover
1981 Full Moon High
1982 Q
1985 The Stuff
1987 Blue Monkey
1988 Deep Space
Makeup Effects Designer:
1976 God Told Me To
1977 End of the World
1977 The Private Files of J. Edgar Hoover
1981 Full Moon High
1982 Q
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1988 Deep Space
Mechanical & Creature Designer:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1981 Full Moon High
1981 Galaxy of Terror
1982 Q
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1988 Deep Space
Original Story:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1980 The Day Time Ended
1981 Full Moon High
1981 Galaxy of Terror
1982 Q
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1988 Deep Space
Producer:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1980 The Day Time Ended
1981 Full Moon High
1981 Galaxy of Terror
1982 Q
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1988 Deep Space
Props:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1978 Laserblast
1980 The Day Time Ended
1981 Full Moon High
1981 Galaxy of Terror
1982 Q
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1988 Deep Space
Prosthetic Designer:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1978 Laserblast
1980 The Day Time Ended
1981 Full Moon High
1981 Galaxy of Terror
1982 Forbidden World
1982 Q
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1988 Deep Space
Prosthetic Makeup Artist:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1978 Laserblast
1980 Battle Beyond the Stars
1980 The Day Time Ended
1981 Full Moon High
1981 Galaxy of Terror
1982 Forbidden World
1982 Q
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1988 Deep Space
Special Effects Makeup Artist:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1978 Laserblast
1980 Battle Beyond the Stars
1980 The Day Time Ended
1981 Full Moon High
1981 Galaxy of Terror
1982 Forbidden World
1982 Q
1983 The Alchemist
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1987 Dark Tower
1988 Deep Space
1989 Puppet Master
1989 The Return of Swamp Thing
1991 Star Trek VI: The Undiscovered Country
Visual Effects:
1976 God Told Me To
1977 End of the World
1977 The Crater Lake Monster
1977 The Private Files of J. Edgar Hoover
1978 Laserblast
1980 Battle Beyond the Stars
1980 The Day Time Ended
1981 Full Moon High
1981 Galaxy of Terror
1982 Forbidden World
1982 Q
1983 The Alchemist
1984 The Lost Empire
1985 The Stuff
1987 A Return to Salem's Lot
1987 Blue Monkey
1987 Dark Tower
1988 Deep Space
1989 Puppet Master
1989 The Return of Swamp Thing
1991 Star Trek VI: The Undiscovered Country
2020 Dark Figures
Makeup Effects Designer:
2013 Die schlechtesten Filme aller Zeiten
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.