A work in constant progress (and occasional regress).
Warwick Field ACS is an Australian-based, Australian Cinematographers Society Accredited cinematographer, camera operator and colourist.
Aerial Director of Photography:
2007 Ghost Rider
Camera Operator:
1997 The Place of the Dead
2007 Ghost Rider
2019 Ride Like a Girl
Cinematography:
1997 The Place of the Dead
2007 Ghost Rider
2019 Ride Like a Girl
???? How The Light Gets In
Clapper Loader:
1982 Squizzy Taylor
1983 Dusty
1997 The Place of the Dead
2007 Ghost Rider
2019 Ride Like a Girl
???? How The Light Gets In
Director of Photography:
1982 Squizzy Taylor
1983 Dusty
1997 The Place of the Dead
2007 Ghost Rider
2013 The Earth Wins
2019 Ride Like a Girl
???? How The Light Gets In
First Assistant Camera:
1982 Squizzy Taylor
1983 Dusty
1987 A Place to Call Home
1997 The Place of the Dead
2007 Ghost Rider
2013 The Earth Wins
2019 Ride Like a Girl
???? How The Light Gets In
Focus Puller:
1982 Squizzy Taylor
1983 Dusty
1986 The Fringe Dwellers
1987 A Place to Call Home
1997 The Place of the Dead
2007 Ghost Rider
2013 The Earth Wins
2019 Ride Like a Girl
???? How The Light Gets In
Second Unit Director of Photography:
1982 Squizzy Taylor
1983 Dusty
1986 The Fringe Dwellers
1987 A Place to Call Home
1997 The Place of the Dead
2007 Ghost Rider
2013 The Earth Wins
2018 Upgrade
2019 Ride Like a Girl
???? How The Light Gets In
Camera Operator:
2016 Tomorrow When the War Began
Clapper Loader:
1980 The Last Outlaw
2016 Tomorrow When the War Began
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.