A work in constant progress (and occasional regress).
Alias:
Lukas Acuña Vázquez
Birthplace:
Sevilla, Spain
Born:
April 3, 2004
Born in Seville, Spain, Lukas Acuña is a multidisciplinary artist focused on film, music, and theater. He has participated in over 15 projects as an actor, musician, or audiovisual technician, with notable collaborations including the Seville Film Festival, Nick Kremm, the production company Límite, and the band Cuñados Invisibles. His extensive training in acting schools such as the Laboratorio de Interpretación de Sevilla and El Estudio in Madrid has provided him with a wide range of characters to portray. Lukas is also a certified technician in audiovisual and stage project management. Lastly, his most significant project to date is Cuñados Invisibles, a musical band that has been warmly received in the Spanish emerging artist scene.
Assistant Director:
2023 Stories de Instagram
Camera Operator:
2023 Piel sin piel
2023 Stories de Instagram
Cinematography:
2020 In the park
2023 Piel sin piel
2023 Stories de Instagram
Director:
2020 In the park
2023 Le Petit Moscou
2023 Piel sin piel
2023 Stories de Instagram
2024 Temazcal, the documentary
Director of Photography:
2020 In the park
2023 Le Petit Moscou
2023 Piel sin piel
2023 Stories de Instagram
2024 Temazcal, the documentary
Driver:
2020 In the park
2023 Le Petit Moscou
2023 Piel sin piel
2023 Stories de Instagram
2024 Temazcal, the documentary
2024 Towards Victory
Editor:
2020 In the park
2023 Le Petit Moscou
2023 Piel sin piel
2023 Stories de Instagram
2024 Temazcal, the documentary
2024 Towards Victory
Editorial Consultant:
2020 In the park
2023 Le Petit Moscou
2023 Piel sin piel
2023 Stories de Instagram
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
Music:
2020 In the park
2023 Le Petit Moscou
2023 Mala Costumbre
2023 Piel sin piel
2023 Stories de Instagram
2024 1:01
2024 Superamor
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
Producer:
2020 In the park
2023 Le Petit Moscou
2023 Mala Costumbre
2023 Piel sin piel
2023 Stories de Instagram
2024 1:01
2024 Superamor
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
Production Director:
2020 In the park
2023 Le Petit Moscou
2023 Mala Costumbre
2023 Piel sin piel
2023 Stories de Instagram
2024 1:01
2024 Superamor
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
2025 Laia
Sound:
2020 In the park
2023 Le Petit Moscou
2023 Mala Costumbre
2023 Pepita Petanca
2023 Piel sin piel
2023 Stories de Instagram
2024 1:01
2024 Ratería
2024 Superamor
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
2025 Laia
Sound Effects:
2020 In the park
2023 Le Petit Moscou
2023 Mala Costumbre
2023 Pepita Petanca
2023 Philm
2023 Piel sin piel
2023 Stories de Instagram
2024 1:01
2024 Ratería
2024 Superamor
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
2025 Laia
Translator:
2020 In the park
2023 Le Petit Moscou
2023 Mala Costumbre
2023 Pepita Petanca
2023 Philm
2023 Piel sin piel
2023 Stories de Instagram
2023 White Othello
2024 1:01
2024 Ratería
2024 Superamor
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
2025 Laia
Writer:
2020 In the park
2023 In less than 24 hours
2023 Le Petit Moscou
2023 Mala Costumbre
2023 Pepita Petanca
2023 Philm
2023 Piel sin piel
2023 Stories de Instagram
2023 White Othello
2024 1:01
2024 Ratería
2024 Superamor
2024 Temazcal, the documentary
2024 Towards Victory
2025 Desértika
2025 Laia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.