A work in constant progress (and occasional regress).
Liz Day is known for her work on The Weekly (2019), The New York Times Presents (2020) and Last Week Tonight with John Oliver (2014).
Executive Producer:
2023 The Legacy of J Dilla
Producer:
2023 Sin Eater: The Crimes of Anthony Pellicano
2023 The Legacy of J Dilla
2024 Broken Horses
Senior Story Editor:
2020 Dominic Fike, At First
2021 Who Gets To Be an Influencer?
2023 Sin Eater: The Crimes of Anthony Pellicano
2023 The Legacy of J Dilla
2024 Broken Horses
Supervising Producer:
2020 Dominic Fike, At First
2021 Controlling Britney Spears
2021 Who Gets To Be an Influencer?
2022 Superspreader
2023 Sin Eater: The Crimes of Anthony Pellicano
2023 The Legacy of J Dilla
2024 Broken Horses
Senior Story Editor:
2019 The Weekly
2020 The New York Times Presents
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.