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David Apuzzo (b. 1980)

Born:
July 27, 1980

Biography from TheMovieDB

David's career began when he switched majors from graphic design to photography in college. His style of photography is unique, taking advantage of natural light, insisting on quality, and bringing out the best in his subjects. Many years of experience have given him the ability to make the best of his surroundings and create a comfortable environment while managing a shoot. David's roots began in the darkroom where he spend many days and nights listening to pop-punk bands on his disc man, eating tacos, and drinking Dr. Pepper. Although he now shoots mostly digital, David still shoots a bit of film, and loves retro video gaming. And yes, after all these years he's still drinking Dr. Pepper.

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Additional information:

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Film Production

Cinematography:
2021  Ignition

Director:
2021  Ignition

Editor:
2021  Ignition

Set Photographer:
2021  Ignition
2023  Blood Harvest

Still Photographer:
2019  Alien Warfare
2021  Burial Ground Massacre
2021  Ignition
2021  Mr. Birthday
2021  Night at the Eagle Inn
2022  Damon's Revenge
2022  Drowning in Secrets
2022  High Heat
2022  Junkyard Dogs
2022  Merry Ex-Mas
2022  Tales from the Other Side
2023  Alarmed
2023  Blood Harvest
2023  Johnny & Clyde
2023  She Came from the Woods
????  Credible

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.