A work in constant progress (and occasional regress).
Alias:
Earl Mankey
Sparks
Birthplace:
Washington, USA
Born:
March 8, 1947
Earle Mankey (sometimes misspelled "Earl" in credits) (born March 8, 1947, in Washington, United States) is an American musician, record producer and audio engineer. He was a founding member and guitarist for the band Halfnelson, later called Sparks. He became a record producer, predominantly for Los Angeles area bands like The Pop, 20/20, The Runaways, Concrete Blonde, Jumpin' Jimes, The Long Ryders, The Three O'Clock, The Tearaways, The Conditionz, Adicts, Durango 95, Leslie Pereira and The Lazy Heroes, and Kristian Hoffman. He is the brother of Concrete Blonde guitarist James Mankey. Mankey's route into studio work began formally with the demo recordings he engineered for Half nelson. Using two stereo reel-to-reel tape recorders (a Sony quarter-inch and a Panasonic quarter-inch) he painstakingly built up the tracks by recording onto the first recorder and then playing the results back into the second recorder along with a simultaneous performance either by himself on guitar or Ron Mael on keyboards until a finished backing track was completed, to which Russell Mael then added vocals. Mankey describes these early experiments as "fussing around with tape recorders" though he admits he took pride in the "cutting edge" nature of the home recordings he made at this time. On his approach to recording and making music, he says: "About the only thing that can excite me is to try to think of something I haven't thought of before and then try to do it - which is the satisfying part." Earle lives in and maintains his studio in Thousand Oaks, California called Earle's Psychedelic Shack and is still active in recording and producing. Earle is the older brother of Concrete Blonde guitarist James Mankey. Source: Article "Earle Mankey" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.