A work in constant progress (and occasional regress).
Paul Corbould (/ˈkɔːrboʊld/) is a British special effects supervisor best known for his work on major blockbuster films such as Children of Men (2006), Captain America: The First Avenger (2011), Thor: The Dark World (2013), and most recently Guardians of the Galaxy (2014). He is the brother of Oscar-winning special effects supervisors Chris and Neil Corbould. For his work in Guardians of the Galaxy, he achieved critical success and received his first Best Visual Effects nomination at the 87th Academy Awards, which he shared with Stephane Ceretti, Jonathan Fawkner, and Nicolas Aithadi. He was nominated at the 68th British Academy Film Awards in the same category with Stephane, Jonathan, and Nicolas.
Special Effects:
1980 The Elephant Man
1983 The Hunger
2007 1408
Special Effects Supervisor:
1980 The Elephant Man
1983 The Hunger
1997 Event Horizon
2005 Goal!
2006 Children of Men
2007 1408
2008 Body of Lies
2008 Mamma Mia!
2010 The Wolfman
2014 Guardians of the Galaxy
2016 Doctor Strange
2017 Dunkirk
2019 Men in Black: International
2022 Jurassic World Dominion
2023 Ant-Man and the Wasp: Quantumania
2023 Heart of Stone
2024 Wicked
Special Effects Technician:
1980 The Elephant Man
1983 The Hunger
1992 Orlando
1997 Event Horizon
2005 Goal!
2006 Children of Men
2007 1408
2008 Body of Lies
2008 Mamma Mia!
2010 The Wolfman
2014 Guardians of the Galaxy
2016 Doctor Strange
2017 Dunkirk
2019 Men in Black: International
2022 Jurassic World Dominion
2023 Ant-Man and the Wasp: Quantumania
2023 Heart of Stone
2024 Wicked
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.