A work in constant progress (and occasional regress).
Alias:
Kevin Galvão
Kevin Matheus de Morais Galvão
maquina
Birthplace:
Curitiba, Paraná, Brazil
Born:
September 16, 1999
Kevin Galvão, known by the artistic name maquina, is a director, screenwriter, and editor from Curitiba - PR, Brazil. As a director, he began with the films "Inviável" (2022), "Pessoal" (2022), and "Ode ao Divagar" (2023). His most recent films are the short film "the gardener – or the equinoxes of a latent memory" (2025) and "Grimpa" (2025). His work explores poetry, contemplation, and Time as a language of cinema.
Assistant Director of Photography:
???? louva_a_deus.eth
Colorist:
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Director:
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Editor:
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Producer:
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Production Sound Mixer:
2022 (Olhei para a câmera)
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Screenplay:
2022 (Olhei para a câmera)
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Sound Designer:
2022 (Olhei para a câmera)
2022 Carne
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Sound Director:
2020 A Maldição do Papel
2022 (Olhei para a câmera)
2022 Carne
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Sound Engineer:
2020 A Maldição do Papel
2022 (Olhei para a câmera)
2022 Carne
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Writer:
2020 A Maldição do Papel
2022 (Olhei para a câmera)
2022 Carne
2022 Inviável
2022 Pessoal
2024 Ode ao Divagar
2025 o jardineiro - ou os equinócios de uma memória latente
???? louva_a_deus.eth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.