A work in constant progress (and occasional regress).
Alias:
Thamires Santos Vieira
Birthplace:
Salvador, Bahia, Brazil
Born:
April 22, 1993
Thamires Vieira, head of TerĂ¡ Filmes is an filmmaker who has been in the market for more than eight years, with experience as a producer in several feature films, shorts, series and film festivals.
Assistant Director:
2018 Coffee with Cinnamon
2020 A Day with Jerusa
Director:
2015 The day he decided to leave
2018 Coffee with Cinnamon
2020 A Day with Jerusa
2021 Never Stop on the Highway
2021 Viva Nossa Voz
Producer:
2015 The day he decided to leave
2017 Arco do Tempo
2017 As Melhores Noites de Veroni
2018 Coffee with Cinnamon
2018 Island
2019 Islands of Heat
2020 A Day with Jerusa
2021 Never Stop on the Highway
2021 Viva Nossa Voz
Production Director:
2015 The day he decided to leave
2017 Arco do Tempo
2017 As Melhores Noites de Veroni
2018 Coffee with Cinnamon
2018 Island
2019 Islands of Heat
2020 A Day with Jerusa
2021 Eu. Empresa
2021 Never Stop on the Highway
2021 Private Desert
2021 Viva Nossa Voz
Story:
2015 The day he decided to leave
2017 Arco do Tempo
2017 As Melhores Noites de Veroni
2018 Coffee with Cinnamon
2018 Island
2019 Islands of Heat
2020 A Day with Jerusa
2021 Eu. Empresa
2021 Never Stop on the Highway
2021 Private Desert
2021 Viva Nossa Voz
Writer:
2015 The day he decided to leave
2017 Arco do Tempo
2017 As Melhores Noites de Veroni
2018 Coffee with Cinnamon
2018 Island
2019 Islands of Heat
2020 A Day with Jerusa
2021 Eu. Empresa
2021 Never Stop on the Highway
2021 Private Desert
2021 Viva Nossa Voz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.