William Speruzzi

William Speruzzi is an award-winning writer and director for film & television. He has over twenty years of experience working in film and commercial production and post-production for clients such as HBO, MTV, Saatchi & Saatchi, and Panasonic. He has worked professionally as a writer, director, and producer, as well as an editor under his own banner cutting shorts, industrials, commercials, and promos.  Along the way, he has always cultivated his cinematic voice through screenwriting. In 2005, he wrote and directed a short film from his original script, "The Face of the Earth," which was a quarterfinalist in the Cinestory Screenwriting Awards 2003 short category. His screenplay "Dyre Avenue" was in the BlueCat Screenwriting 2007 Competition top ten percent. While attending Columbia University's Television Writing Intensive in the summer of 2011, William gained a thorough understanding of the inner workings of the television industry under adjunct professor Frank Pugliese, the former showrunner for the Netflix hit series "House of Cards."  He was part of the NYC-based film collective The 3x3 Project, which was successfully funded via Kickstarter in late 2013. The short film "The Exam," which came from that collaboration, is currently available to stream.  His latest screenplay, "Only the Night Can Take Us," was a recent quarterfinalist in the 2018 Finish Line Script Competition.  William has also contributed to [RogerEbert.com](http://rogerebert.com/), NoFilmSchool, and The Blacklist Blog.

Additional information:

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Director:
2008  The Face of the Earth
2015  The Exam

Editor:
2008  The Face of the Earth
2015  The Exam

Producer:
2008  The Face of the Earth
2015  The Exam

Writer:
2008  The Face of the Earth
2015  The Exam

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.