A work in constant progress (and occasional regress).
Born:
April 23, 1884
Died:
January 26, 1981
Heinrich Richter (1884–1981) was a German painter and art director. He designed the sets for more than a hundred films during his career.
Art Direction:
1921 Journey into the Night
1922 The Ghost With the Deadly Kiss
1926 Should We Be Silent?
1927 Children's Souls Accuse You
1928 The Fight for the Matterhorn
1929 Anschluß um Mitternacht
1929 Daughter of the Regiment
1929 Sündig und süß
1930 Fräulein Lausbub
1930 Morals at Midnight
1930 The girl from USA
1933 Die Goldgrube
1933 Ein kleiner Irrtum
Production Design:
1921 Der Erbe der van Diemen
1921 Journey into the Night
1922 The Ghost With the Deadly Kiss
1923 Wettlauf ums Glück
1926 Should We Be Silent?
1927 Children's Souls Accuse You
1928 The Fight for the Matterhorn
1929 Anschluß um Mitternacht
1929 Das verschwundene Testament
1929 Daughter of the Regiment
1929 Sündig und süß
1929 The Sins of Love
1930 Fräulein Lausbub
1930 Imperial and Royal Field Marshal
1930 Morals at Midnight
1930 The girl from USA
1931 Stamboul
1933 Die Goldgrube
1933 Ein kleiner Irrtum
1933 Kampf um Blond
1934 Ich tanke, Herr Franke
1937 Mother Song
Set Designer:
1920 The Head of Janus
1921 Der Erbe der van Diemen
1921 Journey into the Night
1922 The Ghost With the Deadly Kiss
1923 Wettlauf ums Glück
1926 Should We Be Silent?
1927 Children's Souls Accuse You
1928 The Fight for the Matterhorn
1929 Anschluß um Mitternacht
1929 Das verschwundene Testament
1929 Daughter of the Regiment
1929 Sündig und süß
1929 The Sins of Love
1930 Fräulein Lausbub
1930 Imperial and Royal Field Marshal
1930 Morals at Midnight
1930 The girl from USA
1931 Stamboul
1933 Die Goldgrube
1933 Ein kleiner Irrtum
1933 Kampf um Blond
1934 Ich tanke, Herr Franke
1937 Mother Song
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.