A work in constant progress (and occasional regress).
Cinematography:
1977 The Crimson Sunset
1979 God bless this house
1983 The Cliff
Director:
1977 The Crimson Sunset
1979 God bless this house
1983 The Cliff
1986 Structure, Balance, Colour
1990 Improvisation
1992 The Great Wonder
Director of Photography:
1977 The Crimson Sunset
1979 God bless this house
1980 A Little Swelling
1981 The Twins
1983 The Cliff
1984 Viðey með sundum
1986 Structure, Balance, Colour
1988 Full Name, Simon Peter
1989 Survival in the High North
1990 Improvisation
1991 Mines That Explode Later (Than Expected)
1992 The Great Wonder
1995 The Resourceful Girl
Editor:
1977 The Crimson Sunset
1979 God bless this house
1980 A Little Swelling
1981 The Twins
1983 The Cliff
1984 Viðey með sundum
1986 Structure, Balance, Colour
1988 Full Name, Simon Peter
1989 Survival in the High North
1990 Improvisation
1991 Mines That Explode Later (Than Expected)
1992 The Great Wonder
1995 The Resourceful Girl
Producer:
1977 The Crimson Sunset
1979 God bless this house
1980 A Little Swelling
1981 The Twins
1983 The Cliff
1984 Viðey með sundum
1986 Structure, Balance, Colour
1988 Full Name, Simon Peter
1989 Survival in the High North
1990 Improvisation
1991 Mines That Explode Later (Than Expected)
1992 The Great Wonder
1995 Benjamin, the Dove
1995 The Resourceful Girl
Screenplay:
1977 The Crimson Sunset
1979 God bless this house
1980 A Little Swelling
1981 The Twins
1983 The Cliff
1984 Viðey með sundum
1986 Structure, Balance, Colour
1988 Full Name, Simon Peter
1989 Survival in the High North
1990 Improvisation
1991 Mines That Explode Later (Than Expected)
1992 The Great Wonder
1995 Benjamin, the Dove
1995 The Resourceful Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.