A work in constant progress (and occasional regress).
Birthplace:
Jeonju, South Korea
Boram began her career in the coffee industry, working her way up from barista to manager at Coffee Harbor, a small coffee chain in South Korea. Eventually, she was promoted to work at company headquarters, rising up in the ranks until becoming the head of operations at the young age of 27. Unhappy with her nine-to-five job and with a portfolio of art projects she accumulated in her spare time, Boram moved on to work as a graphic designer at Emu Art Center in Seoul where she was eventually promoted to gallery curator. In 2016, she worked as a production coordinator for two post-production houses based in Seoul, eventually moving on to produce projects of her own. Since 2017, her films, including Pepper (2018) and Georgia (2020) have garnered much acclaim at many film festivals including Busan and Jeonju as well as receiving several grants from prominent organizations like the Korean Film Council. In her spare time, she enjoys painting dogs and cats at her local animal shelter where she frequently volunteers. @thisisboram
Executive Producer:
2021 The Housewife
Producer:
2018 Pepper
2021 Georgia
2021 The Housewife
Unit Production Manager:
2018 Pepper
2021 Georgia
2021 The Housewife
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.