Marisa Mell (1939-1992)

Birthplace:
Graz, Austria

Born:
February 24, 1939

Died:
May 16, 1992

From Wikipedia, the free encyclopedia.  Marisa Mell (24 February 1939 – 16 May 1992) was an Austrian actress who became a cult figure of 1960s Italian B-movies. She was born as Marlies Theres Moitzi in Graz, Austria.  In 1963, she was involved in a violent automobile accident in France. For six hours, she lay unconscious, unaware that she nearly lost her right eye. The disfigurement extended to her lip as well. She spent the next two years undergoing plastic surgery, and no damage remained in her face, except for a distinctive curl of her upper lip.  She turned down a seven-year Hollywood contract, saying that while the payment would have been great, "the contract was a whole book. I think that even to go to the toilet I would have needed a permission."  In 1967, she performed the title role in the "utterly calamitous" musical Mata Hari alongside Pernell Roberts. After a preview performance in Washington, D.C. that became infamous for its numerous technical problems, producer David Merrick decided to close the production before its scheduled Broadway run.  She is best known for the role of Eva Kant in Danger: Diabolik (1968). In the late 1990s, the television show MST3K brought the actress to a new generation of B-movie viewers when the film was featured on an episode. The show also spoofed another of her starring roles in the film Secret Agent Super Dragon. She died in Vienna from throat cancer in 1992, aged 53.  Description above from the Wikipedia article Marisa Mell, licensed under CC-BY-SA, full list of contributors on Wikipedia

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.