A work in constant progress (and occasional regress).
Birthplace:
Roachdale, Indiana, USA
Alyssa is a Latina filmmaker who specializes in "the weird." She's originally from Roachdale, Indiana where she grew up on her family's farm. Her spark for storytelling was ignited after being introduced to Star Wars where she fell in love with fantasy, sci-fi, horror, anything that screams genre. Alyssa was admitted to Purdue University to be a veterinarian and had to take an acting class as an elective. While making the final video project, Alyssa found her calling in filmmaking and performance and made the choice to focus on a dual B.A. in Film and Video Studies and Theatre Acting. Alyssa has won several awards including the prestigious George Lucas Scholarship at USC awarded to exceptional underrepresented student filmmakers. She is also a National Hispanic Foundation of the Arts Scholar and was chosen to speak for the inductee class at 2019's Noche de Gala event in Washington D.C. This year marks her first year attending NALIP as an Emerging Content Creator scholar. Alyssa was also a finalist for Paxeros' inaugural Women of Color Commercial Directing Program for 2020. She's also an active member of NALIP and the Chicana Director's Initiative in the Los Angeles community.
Art Department Assistant:
2020 Mr. Thisforthat
Colorist:
2020 Mr. Thisforthat
2022 The Fairchild
Digital Imaging Technician:
2020 Mr. Thisforthat
2022 The Fairchild
Health and Safety:
2020 Mr. Thisforthat
2022 The Fairchild
Producer:
2020 Mr. Thisforthat
2022 The Fairchild
2023 Dark Obsession
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.