A work in constant progress (and occasional regress).
Birthplace:
Cleveland, Ohio, USA
Born:
January 17, 1922
Died:
November 16, 1991
Jerome Leonard Epstein (January 17, 1922 – November 16, 1991) was an American director, screenwriter and producer known for his nearly 30-year professional collaboration and friendship with Charlie Chaplin and his son Sydney Chaplin. Epstein was born on January 17, 1922, in Cleveland, Ohio. Epstein's father had come to America in 1905 to escape anti-Jewish pogroms in Vilkomir, Lithuania. Epstein's childhood was spent in Brooklyn, New York. During World War II, Epstein served in the Army Air Corps. After his military service, Epstein used the GI Bill to study drama at the University of California at Los Angeles (UCLA), where he met Sydney Chaplin, the second son of English actor Charlie Chaplin. After UCLA, his first job was as road manager for close harmony singing group The Andrews Sisters. In 1946, Epstein, Sydney Chaplin, actress Kathleen Freeman, and several UCLA students founded the Circle Theatre, now known as El Centro Theatre, in Hollywood. The troupe's first performances were held in a living room, but later moved to a converted corner store. The theater became a meeting place for Hollywood's avant-garde. Contemporary comedic actors such as Charlie Chaplin, Groucho Marx, and Fanny Brice attended shows at the theater. Katharine Hepburn, George Cukor, and Edward G. Robinson were also frequent visitors. Chaplin was an enthusiastic supporter of the theater. He attended Sydney's performances in Elmer Rice's play The Adding Machine and also directed his son in three productions at the theater. Chaplin also helped Epstein obtain the rights to and direct Pulitzer Prize-winning playwright William Saroyan's 1949 play Sam Ego's House at the Circle Theater. According to Epstein, all that Chaplin asked in return for his assistance to the theater was "35 cents and a cup of black coffee." Epstein began working as Charlie Chaplin's assistant in 1951, working on Chaplin's Limelight. A movie executive counselled Epstein not to take a credit on Limelight, made during the period in which Chaplin had become a target of McCarthyism. Chaplin was thereafter banned from reentry into the United States, and asked Epstein in 1952 to join him in Switzerland. Epstein would live in Europe for the rest of his life. In Europe, Epstein teamed up with Chaplin as an associate producer on A King in New York, shot in London. During production, Epstein and Chaplin visited the places where Chaplin grew up. Epstein was listed as Chaplin's assistant in the crew listing for The Chaplin Revue in 1959. Chaplin promoted Epstein to producer on A Countess from Hong Kong, the last film Chaplin directed. In 1968 and 1969, Epstein worked with Chaplin to produce the screenplay for The Freak, intended as a vehicle for Chaplin' daughter, Victoria. Epstein and Chaplin funded the prototype for the wings of Victoria's character, and Epstein worked with studios about casting and location scouting. The project was never made due to Chaplin's declining health. Sydney Chaplin appeared in three Epstein projects, including films Follow That Man, A Countess From Hong Kong, and The Adding Machine, and Broadway plays Bells are Ringing.
Assistant Director:
1959 The Chaplin Revue
Associate Producer:
1957 A King in New York
1959 The Chaplin Revue
Director:
1957 A King in New York
1959 The Chaplin Revue
1961 Follow That Man
1969 The Adding Machine
Producer:
1957 A King in New York
1959 The Chaplin Revue
1961 Follow That Man
1967 A Countess from Hong Kong
1969 The Adding Machine
1972 The Woman Hunter
Production Assistant:
1952 Limelight
1957 A King in New York
1959 The Chaplin Revue
1961 Follow That Man
1967 A Countess from Hong Kong
1969 The Adding Machine
1972 The Woman Hunter
Story:
1949 Search for Danger
1952 Limelight
1957 A King in New York
1959 The Chaplin Revue
1961 Follow That Man
1967 A Countess from Hong Kong
1969 The Adding Machine
1972 The Woman Hunter
Writer:
1949 Search for Danger
1952 Limelight
1957 A King in New York
1957 The Big Bluff
1959 The Chaplin Revue
1961 Follow That Man
1967 A Countess from Hong Kong
1969 The Adding Machine
1972 The Woman Hunter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.