Anupong Posuwan

Gallery Unavailable

Alias:
Tee Anupong Posuwan
ตี๋ อนุพงษ์ โพธิ์สุวรรณ

Anupong "Tee" Posuwan is a youngblood of cinematographer society. He started his career with making experimental works and independent short films that were selected for a competition by many film festivals around the world.  Major in Film Production at Bangkok University, Tee highly focused on working as a director of photography during his study. His works built up a great reputation in many short film festivals such as BISFF and Thai Film Foundation. His camerawork for a feature, "Supernatural", brought him to an international level as the film was screened in International Film Festival Rotterdam.  Having a deep passion in cinematography, Tee has not only been enjoyed with working, but also opened for learning new things. One of those was joining RED Camera Workshop in South Korea.Tee is a cinematographer at Dir4 Company almost 7 year. Todays he working at freelance cinematographer for TV Commercial, He also works on a variety of lenser profession including short films, documentaries and Music Video.

Additional information:

The Search Form


Cinematography:
2019  Love From Outta Space

Director of Photography:
2012  I still get lost in your eyes
2014  Supernatural
2019  Love From Outta Space

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.