Nadia Lorencz

Nadia Abena Lorencz is a stunt performer, born on September 6, in Farmington, Minnesota.  Her early credits include stunt doubling for Kearran Giovanni in American Soul and Celeste O’Connor in Freaky, both in 2020. She made her Marvel Cinematic Universe debut that same year, doubling for Teyonah Parris in WandaVision, and also performed stunts in the CW series Black Lightning. In 2021, Lorencz joined the Loki cast as the stunt double for Gugu Mbatha-Raw’s character Ravonna Renslayer, contributing to six episodes of the series.  Lorencz continued to alternate between Marvel and DC productions, doubling Samantha Marie Ware in Doom Patrol and performing stunts in She‑Hulk: Attorney at Law. Her first big-screen MCU credit came in 2022 when she doubled Letitia Wright in Black Panther: Wakanda Forever. She also contributed stunts to the Ironheart series. In 2024, she expanded her filmography by joining the fight team of Jackpot!.  Parallel to her stunt work, Lorencz has landed small acting roles since 2021. She appeared as a robber in MacGyver, a lieutenant in Black Lightning, and a kayaker in Nyad, often performing her stunts in these roles.  Her work has been recognised by the Screen Actors Guild, earning her two nominations: one in 2022 for Loki (Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series) and another in 2023 for Black Panther: Wakanda Forever (Outstanding Action Performance by a Stunt Ensemble in a Motion Picture).

Additional information:

The Search Form


Stunt Double:
2019  Doom Patrol
2020  Die Hart
2021  WandaVision

Stunts:
2016  MacGyver
2019  Doom Patrol
2020  Die Hart
2021  Loki
2021  WandaVision
2022  She-Hulk: Attorney at Law
2024  Agatha All Along

Utility Stunts:
2016  MacGyver
2019  Doom Patrol
2020  Die Hart
2021  Loki
2021  WandaVision
2022  She-Hulk: Attorney at Law
2024  Agatha All Along

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.