A work in constant progress (and occasional regress).
Birthplace:
New Taipei City, Taiwan
Rose Chang was born in Tamsui, Taiwan, and her family immigrated to Los Angeles, California in 1999. She received her Bachelors of Fine Arts in Film and Television Production and Critical Studies in 2016 from UC, Santa Cruz. There, she wrote her dissertation “Madame Butterflies and Dragon Ladies: Asian American Female Representation” and, in complement, directed her thesis short film, Hard-Boiled Mask and the Art of Blossoming (2016). Her short film was selected and screened at Vessel Gallery in downtown Oakland, CA in “Excuse Me, Can I See Your ID?” an art and media exhibit featuring Asian American artists and filmmakers who explore ideas of Asian American identity and belonging. After graduating in 2016, she started her graduate program at USC’s School of Cinematic Arts for Film and Television Production where she has worked on various projects, including producing a multi-camera sitcom, “The Jackson Show,” and writing/directing her thesis film, “Shades of Jade.” Rose aspires to utilize her personal experiences and informed critical studies background to create progressive characters and stories that challenge normative and stereotypical representations. She actively creates strong female leads to showcase female perspectives and open dialogue for the underrepresented and overlooked, especially for women of color. She makes conscious efforts to hire and work with a diverse crew of all racial, cultural, and sexual backgrounds. She also advocates for generating awareness for mental illness, domestic and sexual abuse, and environmental issues.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.