A work in constant progress (and occasional regress).
Birthplace:
Boston, Massachusetts, USA
Agazi Desta is a first generation Ethiopian-American filmmaker and writer from the city of Boston. Coming from a humble background, he has a deeply innate interest in drawing vision from the communities that surround him. As a published author and award winning director (The Bread Winner, 2017) , he derives his passion in filmmaking from a literary discipline, gaining inspiration in the genres of drama, fantasy, and mystery. He started his filmmaking career by creating short documentaries with his peers, which ranged from displaying the unseen effects that incarceration has on Los Angeles families to identifying the issues of race and ethnicity across a spectrum of students. Since graduating in 2015, he has transcended his love for art to the global realm of humanities, having traveled to Israel that same year where he sustained an interest in the religious philosophy, politics, and historical narrative of the Israeli and Palestinian people. He has recently co-written and co-directed his first feature film "Voodoo Macbeth," which narrates the controversial success story of a young Orson Welles directing an all black-cast of Macbeth during the 1930's Harlem Depression Era. He enjoys listening to rap music, soulful and alternative instrumentals, photography, and reading contemporary novels. He is a George Lucas Scholar for Diversity and Inclusion at USC.
Director:
2021 Clothesline
2021 Voodoo Macbeth
2021 Waves
???? Waves
First Assistant Director:
2018 God's Gracie
2021 Clothesline
2021 Voodoo Macbeth
2021 Waves
???? Waves
Writer:
2018 God's Gracie
2021 Clothesline
2021 Voodoo Macbeth
2021 Waves
???? Waves
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.