A work in constant progress (and occasional regress).
Alias:
Masanobu Nakamura
中村雅信
In 1969, as the political and revolutionary season was coming to an end, Nakamura Masanobu began making films on 8mm film. In a career spanning nearly 30 years, he has created more than 40 films. Inheriting the obscenity of the underground, Nakamura’s unique world, which indulges in more personal desires and expressions, is filled with freedom and venom worthy of being called “post-underground cinema.” His films, which combine images of fetishism, SM, young girls, confinement, and crime with experimental techniques such as reshooting, strobing, frame by frame shooting, and repetition, confront the viewer with the fact that cinema is a device of desire and suggests that watching it could be a violent experience from time to time. Nakamura Masanobu is one of Japan’s most dangerous filmmakers, who says, “If you don’t create a world that is out of phase with the ordinary, it won’t be interesting.”
Director:
1969 Obscene
1970 Beautiful Days
1970 Ceremony
1970 DON'T WORRY KYOKO
1971 HANA
1972 Windmill Walk
1975 Punctuation Mark
1976 Another Life
1976 Room
1977 A QUIET DAY
1977 Bizarre disease Ⅰ
1977 Bizarre disease Ⅱ
1977 Spring Has Come
1978 Autumn in Beijing
1978 Commemorative Photo
1978 Mistake
1978 SUMMER IS GONE
1981 Snake Soup
1982 Labyrinth
1984 Distribution of Unspoiled Landscape
1987 RESOLUTION
1988 Automatic Piano
1988 Omen
1989 COLLAGE
1989 Collection
1989 Flying Images
1991 SO HARD FEELINGS
1992 Somewhere Someplace
1993 形
1994 The Emptiness Close to me
1995 The Emptiness That Spreads To Me
1996 WATER SIDE
1997 Ghost of Memories
Editor:
1969 Obscene
1970 Beautiful Days
1970 Ceremony
1970 DON'T WORRY KYOKO
1971 HANA
1972 Windmill Walk
1975 Punctuation Mark
1976 Another Life
1976 Room
1977 A QUIET DAY
1977 Bizarre disease Ⅰ
1977 Bizarre disease Ⅱ
1977 Spring Has Come
1978 Autumn in Beijing
1978 Commemorative Photo
1978 Mistake
1978 SUMMER IS GONE
1981 Snake Soup
1982 Labyrinth
1984 Distribution of Unspoiled Landscape
1987 RESOLUTION
1988 Automatic Piano
1988 Omen
1989 COLLAGE
1989 Collection
1989 Flying Images
1991 SO HARD FEELINGS
1992 Somewhere Someplace
1993 形
1994 The Emptiness Close to me
1995 The Emptiness That Spreads To Me
1996 WATER SIDE
1997 Ghost of Memories
Producer:
1969 Obscene
1970 Beautiful Days
1970 Ceremony
1970 DON'T WORRY KYOKO
1971 HANA
1972 Windmill Walk
1975 Punctuation Mark
1976 Another Life
1976 Room
1977 A QUIET DAY
1977 Bizarre disease Ⅰ
1977 Bizarre disease Ⅱ
1977 Spring Has Come
1978 Autumn in Beijing
1978 Commemorative Photo
1978 Mistake
1978 SUMMER IS GONE
1981 Snake Soup
1982 Labyrinth
1984 Distribution of Unspoiled Landscape
1987 RESOLUTION
1988 Automatic Piano
1988 Omen
1989 COLLAGE
1989 Collection
1989 Flying Images
1991 SO HARD FEELINGS
1992 Somewhere Someplace
1993 Film/Fragment for Strings, Percussion and Celesta
1993 形
1994 The Emptiness Close to me
1995 The Emptiness That Spreads To Me
1996 WATER SIDE
1997 Ghost of Memories
Writer:
1969 Obscene
1970 Beautiful Days
1970 Ceremony
1970 DON'T WORRY KYOKO
1971 HANA
1972 Windmill Walk
1975 Punctuation Mark
1976 Another Life
1976 Room
1977 A QUIET DAY
1977 Bizarre disease Ⅰ
1977 Bizarre disease Ⅱ
1977 Spring Has Come
1978 Autumn in Beijing
1978 Commemorative Photo
1978 Mistake
1978 SUMMER IS GONE
1981 Snake Soup
1982 Labyrinth
1984 Distribution of Unspoiled Landscape
1987 RESOLUTION
1988 Automatic Piano
1988 Omen
1989 COLLAGE
1989 Collection
1989 Flying Images
1991 SO HARD FEELINGS
1992 Somewhere Someplace
1993 Film/Fragment for Strings, Percussion and Celesta
1993 形
1994 The Emptiness Close to me
1995 The Emptiness That Spreads To Me
1996 WATER SIDE
1997 Ghost of Memories
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.