A work in constant progress (and occasional regress).
Died:
May 6, 2022
Michael is a Los Angeles based director, producer, editor and cinematographer who began his career in Boston in 2004, where he created music videos and documentary content for some of the city's best known musical acts (Guster, Dropkick Murphys, Mission of Burma, Dispatch, State Radio, Piebald, The Explosion, Amanda Palmer, and many others). He has edited 3 narrative feature films including 2013 Toronto International Film Festival Official Selection, "Fat" (for which he also served as co-director of photography and co-producer) and Cinequest/IFFB 2017 Official Selection "Hedgehog," (for which he also served as post-production supervisor) which garnered 'Best Feature' awards from the Philadelphia and Los Angeles Independent Film Festivals. He has worked as an editor and project manager with Boston based video production company Shave Media since 2015. Since 2011, he has been intermittently working on his 2nd feature length documentary (after 2010's direct to DVD release "Nobody's Robots: a Farewell to Piebald") The Road to Ruane, about legendary Boston music promoter and impresario Billy Ruane, which he aims to finally complete in 2020.
Cinematography:
2024 The Road to Ruane
Director:
2019 Jimmy Eat World: 555
2024 The Road to Ruane
Editor:
2003 Have You Seen Andy?
2013 Fat
2017 Hedgehog
2019 Jimmy Eat World: 555
2020 Dark Room
2024 The Road to Ruane
Producer:
2003 Have You Seen Andy?
2013 Fat
2017 Hedgehog
2019 Jimmy Eat World: 555
2020 Dark Room
2024 The Road to Ruane
Visual Effects:
2003 Have You Seen Andy?
2013 Fat
2017 Hedgehog
2019 Jimmy Eat World: 555
2020 Dark Room
2024 The Road to Ruane
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.