A work in constant progress (and occasional regress).
Sound:
2018 What Makes a Woman
Sound Mixer:
2011 Japan's Tsunami: How It Happened
2014 Queen Victoria's Letters: A Monarch Unveiled
2015 Brilliantman!
2015 Generation YouTube
2018 What Makes a Woman
2024 Downfall of the Crypto King
2024 Glitter: The Popstar Paedophile
Sound Re-Recording Mixer:
2011 Japan's Tsunami: How It Happened
2014 Queen Victoria's Letters: A Monarch Unveiled
2015 Brilliantman!
2015 Generation YouTube
2018 What Makes a Woman
2024 Atomic People
2024 Downfall of the Crypto King
2024 Glitter: The Popstar Paedophile
Sound:
2013 Ottolenghi's Mediterranean Island Feast
Sound Mixer:
2013 Ottolenghi's Mediterranean Island Feast
2019 Adventures in Futureland
2022 Jimmy Savile: A British Horror Story
Sound Re-Recording Mixer:
2013 Easter Eggs Live
2013 How Not to Get Old
2013 Ottolenghi's Mediterranean Island Feast
2014 It Takes a Thief to Catch a Thief
2019 Adventures in Futureland
2022 Jimmy Savile: A British Horror Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.