A work in constant progress (and occasional regress).
Birthplace:
Nice, Alpes-Maritimes, France
Born:
February 5, 1942
Paul Pavlowitch (born February 5, 1942) is a French writer, editor and journalist. He trained as a lawyer and has worked in various jobs, including as a teacher, librarian, and translator. A relative of the well-known French author, Romain Gary, Pavlowitch was presented in public through the 1970s in the guise of writer "Emile Ajar", actually a pseudonym of Gary's. Assuming this role for his famous cousin—concealing the true authorship of certain novels of Gary's—embroiled Pavlowitch in controversy when the deception came to light. Pavlowitch's first published work was his 1981 account of the affair, L'homme que l'on croyait ('The man we believed'). Pavlowitch went on to write novels, having his first published in 1986. Since 2000, he has had four further novels published. Pavlowitch was born in Nice, to a mother from a Lithuanian–Jewish background. A scholarship enabled Pavlowitch to study law in Toulouse and Paris; he graduated in 1964. After obtaining his license in legal practice, a stay in an American university was financed by Gary, who considered him something like a son to him. After having been a librarian at the Lycée Arago in Paris, Pavlowitch became a "copyist", then an English translator for various publishing houses, and an editor at the Mercure de France, a publishing house run by Simone Gallimard. Although the writer Romain Gary presented Paul Pavlowitch as his "nephew", Pavlowitch is the son of Gary's first cousin, Dinah Owczyńska. This means to each other they were cousins also, just "at one remove". That is, the precise relationship between them is that Paul is Romain Gary's first cousin, once removed, in French: cousin germain au 1er degré éloigné. Pavlowitch is famous for having assumed, in the early 1970s, the pseudonymic identity of "Émile Ajar", at the request of Romain Gary, who wanted an alternative identity to write under; Pavlowitch thus played for eight years the author of the novels Gros-Câlin, La Vie devant soi, Pseudo and L'Angoisse du roi Salomon, actually written by his "uncle". Émile Ajar won the Prix Goncourt in 1975, a prize not awarded to a single author more than once. Gary ultimately was not refused the award and remains the only writer to receive this prize on two occasions. Gradually, journalists established the relationship between Romain Gary and "Ajar"–Pavlowitch. Gary then invents, mischievously, a fictional confession to the Ajar ruse. The result is Pseudo (1976), a novel featuring a mysterious, tyrannical, egocentric uncle named Tonton Macoute, in which everyone can recognize Gary. Violent and comical, this novel analyzes the intricacies of literary creation. The links between Paul Pavlowitch, who got caught up in the writer's game, and Romain Gary (who signed a contract with Mercure de France for five books by Ajar) were deteriorating. The latter calls on his lawyer to formalize an arrangement: forty percent of his royalties go to Pavlowitch who, in exchange, guarantees the secrecy of the agreement, and signs several letters to Romain attesting that he is only "a puppet". ... Source: Article "Paul Pavlowitch" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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