A work in constant progress (and occasional regress).
Birthplace:
Watseka, Illinois, U.S.A
Born:
November 24, 1894
Died:
February 8, 1974
From Wikipedia Fern Andra (November 24, 1893 – February 8, 1974) was an American actress, film director, script writer and producer. Next to Henny Porten and Asta Nielsen she was one of the most popular and best-known actresses in German silent films. Born as Vernal Edna Andrews in Watseka, Illinois in 1893, the daughter of a circus performer and an opera singer, Andra was already appearing in public in a tightrope act by the age of four. She later trained in song and dance. As early as 1899, in New York, she made her first film, a version of Uncle Tom's Cabin. She remained however with the circus, with which she embarked on an extensive tour across the United States, Canada and Europe. In Berlin she met Max Reinhardt, who gave her acting lessons. In 1913, aged 19, she appeared in her first German film, Das Ave Maria. Still only moderately well-known, she made her only Austrian film in 1915: Zwei Freunde. From 1916-18 she appeared almost exclusively on camera with Alfred Abel. In 1920 she starred in Robert Wiene's expressionist horror film Genuine. In the mid-1920s she lost her public appeal in Germany. From 1928 she worked in the UK and the US, later expanding her range to include radio and television. Fern Andra died in Aiken, South Carolina, on February 8, 1974, aged 80.
Director:
1915 Eine Motte flog zum Licht
1915 Es fiel ein Reif in der Frühlingsnacht
1915 Gesprengte Ketten
1916 Ernst ist das Leben
1916 Wenn Menschen reif zur Liebe werden
1918 Frühlingsstürme im Herbste des Lebens
1919 Die Rache des Titanen
1919 Um Krone und Peitsche
1919 Zwei Menschen
Producer:
1915 Eine Motte flog zum Licht
1915 Es fiel ein Reif in der Frühlingsnacht
1915 Gesprengte Ketten
1916 Ernst ist das Leben
1916 Wenn Menschen reif zur Liebe werden
1918 Frühlingsstürme im Herbste des Lebens
1919 Die Rache des Titanen
1919 Um Krone und Peitsche
1919 Zwei Menschen
1920 Madame Récamier
Screenplay:
1915 Eine Motte flog zum Licht
1915 Es fiel ein Reif in der Frühlingsnacht
1915 Gesprengte Ketten
1916 Ernst ist das Leben
1916 Wenn Menschen reif zur Liebe werden
1918 Frühlingsstürme im Herbste des Lebens
1919 Die Rache des Titanen
1919 Um Krone und Peitsche
1919 Zwei Menschen
1920 Madame Récamier
Writer:
1915 Eine Motte flog zum Licht
1915 Es fiel ein Reif in der Frühlingsnacht
1915 Gesprengte Ketten
1916 Die Seele einer Frau
1916 Ernst ist das Leben
1916 Wenn Menschen reif zur Liebe werden
1917 Der Seele Saiten schwingen nicht
1917 Des Lebens ungemischte Freude
1917 Ein Blatt im Sturm...doch das Schicksal hat es verweht
1918 Auf des Lebens rauher Bahn
1918 Die nach Glück und Liebe suchen
1918 Drohende Wolken am Firmament
1918 Frühlingsstürme im Herbste des Lebens
1919 Die Rache des Titanen
1919 Gebannt und erlöst
1919 Um Krone und Peitsche
1919 Zwei Menschen
1920 Madame Récamier
1921 Des Lebens und der Liebe Wellen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.