A work in constant progress (and occasional regress).
Birthplace:
Vienna, Austria-Hungary
Born:
April 22, 1872
Died:
August 30, 1928
Robert Reinert was a German film director and screenwriter. Born in Vienna, he moved to Munich around 1900. He wrote several novels, including "Der Weg zur Sonne" and "Krieg". His successful script for the film Homunculus led him to direct several films, most notably Opium and Nerven.
Art Direction:
1917 Tuberosen
Creative Director:
1917 Das geborgte Leben
1917 Der Knute entflohen
1917 Tuberosen
1918 Das Spitzentuch der Fürstin Wolkowska
Director:
1916 Aphrodite
1917 Ahasver
1917 Ahasver - Das Gespenst der Vergangenheit
1917 Ahasver - Die Tragödie der Eifersucht
1917 Das geborgte Leben
1917 Der Knute entflohen
1917 Der Weg des Todes
1917 Tuberosen
1917 Wenn Tote sprechen
1918 Das Spitzentuch der Fürstin Wolkowska
1919 Nerves
1919 Opium
1924 Die vier letzten Sekunden des Quidam
1928 Der geheimnisvolle Spiegel
Novel:
1916 Aphrodite
1916 The Artificial Man
1916 The Love Tragedy of the Homunculus
1916 The Mysterious Book
1917 Ahasver
1917 Ahasver - Das Gespenst der Vergangenheit
1917 Ahasver - Die Tragödie der Eifersucht
1917 Das geborgte Leben
1917 Der Knute entflohen
1917 Der Weg des Todes
1917 The Destruction of Mankind
1917 The Revenge of the Homunculus
1917 Tuberosen
1917 Wenn Tote sprechen
1918 Das Spitzentuch der Fürstin Wolkowska
1918 The End of the Homunculus
1919 Nerves
1919 Opium
1924 Die vier letzten Sekunden des Quidam
1928 Der geheimnisvolle Spiegel
Producer:
1916 Aphrodite
1916 The Artificial Man
1916 The Love Tragedy of the Homunculus
1916 The Mysterious Book
1917 Ahasver
1917 Ahasver - Das Gespenst der Vergangenheit
1917 Ahasver - Die Tragödie der Eifersucht
1917 Das geborgte Leben
1917 Der Knute entflohen
1917 Der Weg des Todes
1917 The Destruction of Mankind
1917 The Revenge of the Homunculus
1917 Tuberosen
1917 Wenn Tote sprechen
1918 Das Spitzentuch der Fürstin Wolkowska
1918 The End of the Homunculus
1919 Nerves
1919 Opium
1924 Die vier letzten Sekunden des Quidam
1928 Der geheimnisvolle Spiegel
Screenplay:
1916 Aphrodite
1916 Das Wunder der Madonna
1916 Homunculus
1916 The Artificial Man
1916 The Love Tragedy of the Homunculus
1916 The Mysterious Book
1917 Ahasver
1917 Ahasver - Das Gespenst der Vergangenheit
1917 Ahasver - Die Tragödie der Eifersucht
1917 Das geborgte Leben
1917 Der Knute entflohen
1917 Der Weg des Todes
1917 The Destruction of Mankind
1917 The Revenge of the Homunculus
1917 Tuberosen
1917 Wenn Tote sprechen
1918 Das Spitzentuch der Fürstin Wolkowska
1918 The End of the Homunculus
1919 Nerves
1919 Opium
1924 Die vier letzten Sekunden des Quidam
1927 Apaches of Paris
1928 Der geheimnisvolle Spiegel
Writer:
1915 Der geheimnisvolle Wanderer
1916 Aphrodite
1916 Das Wunder der Madonna
1916 Homunculus
1916 The Artificial Man
1916 The Love Tragedy of the Homunculus
1916 The Mysterious Book
1917 Ahasver
1917 Ahasver - Das Gespenst der Vergangenheit
1917 Ahasver - Die Tragödie der Eifersucht
1917 Das geborgte Leben
1917 Der Knute entflohen
1917 Der Weg des Todes
1917 The Destruction of Mankind
1917 The Revenge of the Homunculus
1917 Tuberosen
1917 Wenn Tote sprechen
1918 Das Spitzentuch der Fürstin Wolkowska
1918 The End of the Homunculus
1919 Nerves
1919 Opium
1924 Die vier letzten Sekunden des Quidam
1926 Gräfin Plättmamsell
1927 Apaches of Paris
1927 Eva and the Grasshopper
1927 The Bordellos of Algiers
1928 Der geheimnisvolle Spiegel
1928 Looping the Loop
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.