A work in constant progress (and occasional regress).
Alias:
Marlena Dietrichová
Marie Magdalene Dietrich
Marie Magdalene von Losch
მარლენ დიტრიხი
玛琳·黛德丽
Birthplace:
Berlin, Germany
Born:
December 27, 1901
Died:
May 6, 1992
Marlene Dietrich (1901–1992) was a German-American actress and singer, widely regarded as one of the most iconic figures of classic Hollywood. She rose to fame in the 1930s with films like The Blue Angel, Shanghai Express, and Destry Rides Again, captivating audiences with her sultry voice, striking beauty, and androgynous style. Known for her ability to reinvent herself, Dietrich transitioned from film star to a celebrated cabaret performer, touring internationally for decades. Beyond her career, Dietrich was known for her progressive views and unconventional lifestyle. She openly defied gender norms, often wearing men's clothing both on and off-screen, which contributed to her enigmatic persona. Her personal life has long been the subject of speculation, particularly regarding her sexuality. While she was married to Rudolf Sieber, she was rumored to have had relationships with both men and women, including actresses Claudette Colbert and Mercedes de Acosta. Some sources suggest she was part of Hollywood’s so-called “sewing circle,” a network of women engaged in same-sex relationships. However, Dietrich never publicly confirmed these rumors, maintaining an air of mystery that only added to her legendary status. Her legacy continues to inspire discussions on gender, sexuality, and Hollywood’s golden age.
1999 #9 |
100 Years: 100 STARS
25 Greatest American Screen Legends (Women) |
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.