A work in constant progress (and occasional regress).
Katya Richardson is a composer, best known for her looping vocals and mix of genres. Hailing from a diverse background of classical and jazz, she creates collaborative scores for dance and film that blur the line of acoustic and electronic music. Originally trained as a pianist, Katya has worked with acclaimed ensembles from all over the world, having written for the Los Angeles Philharmonic and premiered dance pieces at The Royal Opera House and Sadler's Wells in London. In 2016, her "Fanfare for Orchestra" opened for Steely Dan at the Hollywood Bowl - a work which Billboard deemed an "impressive composition." Katya has scored a number of commercials and documentaries as a film composer, most notably working as a studio assistant for Danny Elfman on "The Grinch" (2018). Her cinematic vocals can be heard on John Debney's horror-score to "Lake of Death" (2019) and as the folky, ethereal voice of Mt. Everest in an upcoming National Geographic feature. She also produces for synth-pop duo LightHouse, which FLAUNT Magazine describes as "a seemingly flawless combination of various synthetics that not only pleases the ears but causes listeners to get up and dance." Katya is currently scoring a movement film on plastic pollution, in partnership with KO Productions (UK), and recently released her debut electrojazz EP, "Left From Write." She graduated with a degree in composition and film-scoring at the University of Southern California and resides in Los Angeles.
Music:
2019 Novembers & Embers in Amber
2020 Split Ends
2021 LACHESIS
2022 The Best Chef in the World
2023 Slashr
2024 The Path Forward
Musician:
2019 Novembers & Embers in Amber
2020 Split Ends
2021 LACHESIS
2022 MINK!
2022 The Best Chef in the World
2023 Slashr
2024 The Path Forward
Orchestrator:
2019 Novembers & Embers in Amber
2020 Split Ends
2021 LACHESIS
2022 MINK!
2022 The Best Chef in the World
2023 Slashr
2024 The Path Forward
Original Music Composer:
2019 Novembers & Embers in Amber
2020 Split Ends
2021 LACHESIS
2022 MINK!
2022 The Best Chef in the World
2023 Foreign Planetary
2023 Slashr
2024 Culture War
2024 The Last Repair Shop
2024 The Path Forward
???? Golden Child
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.