Chris Ledesma (1958-2023)

Gallery Unavailable

Birthplace:
Los Angeles, California, USA

Born:
January 28, 1958

Died:
January 1, 2023

Additional information:

The Search Form


Music Editor:
1987  A Place to Call Home
1987  Bigfoot
1987  The Stepford Children
1988  Meet the Munceys
1990  Moon 44
1993  Robin Hood: Men in Tights
1994  Bandit: Bandit Goes Country
1994  Bandit: Bandit's Silver Angel
1994  Bandit: Bandit, Bandit
1994  Bandit: Beauty and the Bandit
1995  Siringo
1996  The Stepford Husbands
1998  The Love Letter
1999  Blast from the Past
2006  Why I Wore Lipstick to My Mastectomy
2020  Maggie Simpson in "Playdate with Destiny"
2021  The Good, the Bart, and the Loki
2022  When Billie Met Lisa

Original Music Composer:
1981  Don't Go Near the Park
1987  A Place to Call Home
1987  Bigfoot
1987  The Stepford Children
1988  Meet the Munceys
1990  Moon 44
1993  Robin Hood: Men in Tights
1994  Bandit: Bandit Goes Country
1994  Bandit: Bandit's Silver Angel
1994  Bandit: Bandit, Bandit
1994  Bandit: Beauty and the Bandit
1995  Siringo
1996  The Stepford Husbands
1998  The Love Letter
1999  Blast from the Past
2006  Why I Wore Lipstick to My Mastectomy
2020  Maggie Simpson in "Playdate with Destiny"
2021  The Good, the Bart, and the Loki
2022  When Billie Met Lisa

Supervising Music Editor:
1981  Don't Go Near the Park
1987  A Place to Call Home
1987  Bigfoot
1987  The Stepford Children
1988  Meet the Munceys
1990  Moon 44
1993  Robin Hood: Men in Tights
1994  Bandit: Bandit Goes Country
1994  Bandit: Bandit's Silver Angel
1994  Bandit: Bandit, Bandit
1994  Bandit: Beauty and the Bandit
1995  Siringo
1996  The Stepford Husbands
1998  The Love Letter
1999  Blast from the Past
1999  Dudley Do-Right
2006  Why I Wore Lipstick to My Mastectomy
2020  Maggie Simpson in "Playdate with Destiny"
2021  The Good, the Bart, and the Loki
2022  When Billie Met Lisa

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.