A work in constant progress (and occasional regress).
Birthplace:
Lakeville, Minnesota
A native of Lakeville, Minnesota, Jack Walterman graduated with a Master of Fine Arts Degree in Film and Television Production from the University of Southern California. While there, he focused his energy on writing, producing, and directing genre films that centered around characters with heart, fighting against horrifying odds. His coming-of-age short film MOVE IN DAY premiered, and was well received by audiences, at Midsummer Scream--the World's largest Halloween and Horror convention--in August 2019. During that same summer, Walterman interned at the Flynn Picture Company known for producing large commercial films such as SKYSCRAPER, RAMPAGE, and SAN ANDREAS, as well as critically acclaimed independent films like REQUIEM FOR A DREAM, TIGERLAND, and CHOKE. Throughout graduate film school Walterman directed and crewed on several short films, music videos, and commercials. During his undergraduate studies Walterman was able to study abroad and perform in both London, England, and at the Gaiety School of Acting in Dublin, Ireland. He also directed stage productions and coached competitive speech for neighboring high schools. Walterman's performance experience has helped him become an "actor's director" and he takes pride in artistically shepherding stories from conception to premiere and beyond.
Assistant Director:
2019 Expiration
Director:
2019 Expiration
2024 Collette
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First Assistant Director:
2019 Code_Switch
2019 Expiration
2024 Collette
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Producer:
2019 Code_Switch
2019 Expiration
2019 Father by Law
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Production Assistant:
2019 Code_Switch
2019 Expiration
2019 Father by Law
2020 Separation
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Writer:
2019 Code_Switch
2019 Expiration
2019 Father by Law
2020 Separation
2024 Collette
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.