Elise Brown

Elise Brown was born and raised just outside of Chicago. She earned her BA in Film Studies with a concentration in screenwriting at Yale University. During her undergraduate study, she spent a semester at FAMU in Prague where she worked with local film students and professionals to direct a short film on 16mm. After graduation, Elise moved to Los Angeles and worked as a script coordinator on Disney Junior’s Doc McStuffins and Hulu’s drama, The Act. Wanting to deepen her knowledge of film and TV production, Elise entered USC’s prestigious Film and TV Production Program at the School of Cinematic Arts where she focused on writing, producing, and directing. There she was selected to produce the short film, A Craftsman, in USC's selective 546 course which counts filmmakers such as Ryan Coogler as an alum. The short has screened at film festivals such as the Palm Springs International Shorts Fest, Camerimage, and the American Black Film Festival and was recently showcased on Issa Rae’s “Short Film Sundays.” Elise is passionate about using her voice and vision to bring authentic, nuanced, heartfelt stories featuring women and people of color to the screen.

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Producer:
2019  A Craftsman

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.