A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Alan Martín Segal was born in Buenos Aires, Argentina. He is an artist and filmmaker whose work has been exhibited at prominent international institutions, galleries, and biennials, including the Hessel Museum of Art, the Buenos Aires Museum of Modern Art, SculptureCenter, and the Dia Art Foundation, among others. His films have been featured at major film festivals such as the New York Film Festival, Viennale, FID Marseille, Rencontres Internationales (Paris/Berlin), Jeonju International Film Festival, and the Mar del Plata International Film Festival.
Director:
2017 Una investigación interrumpida de R
2018 Key, washer, coin
2020 Incomplete Disappearance
2021 No Anteriority
2022 Negative Path
2023 Falso Sport
???? Class Camouflage
Editor:
2017 Una investigación interrumpida de R
2018 Key, washer, coin
2020 Incomplete Disappearance
2021 No Anteriority
2022 Negative Path
2023 Falso Sport
2024 Decadence
???? Class Camouflage
Producer:
2017 Una investigación interrumpida de R
2018 Key, washer, coin
2020 Incomplete Disappearance
2021 No Anteriority
2022 Negative Path
2023 Falso Sport
2024 Decadence
???? Class Camouflage
Screenplay:
2017 Una investigación interrumpida de R
2018 Key, washer, coin
2020 Incomplete Disappearance
2021 No Anteriority
2022 Negative Path
2023 Falso Sport
2024 Decadence
???? Class Camouflage
Sound:
2017 Una investigación interrumpida de R
2018 Key, washer, coin
2020 Incomplete Disappearance
2021 No Anteriority
2022 Negative Path
2023 Falso Sport
2024 Decadence
???? Class Camouflage
Writer:
2017 Una investigación interrumpida de R
2018 Key, washer, coin
2020 Incomplete Disappearance
2021 No Anteriority
2022 Negative Path
2023 Falso Sport
2024 Decadence
???? Class Camouflage
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.