Carlos E. Aguilar

Alias:
Carlos Aguilar
Carlos E. Aguilar Herrera

Carlos E. Aguilar is a Costa Rican Sound Designer, Re-Recording Mixer and Composer. He works for A Tropics Company, who was launched in 2010 as La Cabina.

Additional information:

The Search Form


ADR Recordist:
2020  Land of Ashes
2023  I Have Electric Dreams

Music:
2020  Land of Ashes
2022  Ways of Fishing
2023  I Have Electric Dreams

Music Arranger:
2020  Land of Ashes
2021  Gregorio
2022  Ways of Fishing
2023  I Have Electric Dreams

Musician:
2020  Land of Ashes
2021  Gregorio
2021  The Ghost Girl
2022  Ways of Fishing
2023  I Have Electric Dreams

Sound Designer:
2018  Helmet Heads
2020  Land of Ashes
2021  Gregorio
2021  The Ghost Girl
2022  Ways of Fishing
2023  I Have Electric Dreams
2023  The Loves of a Witch
2024  Threnody
????  The Eye and The Light

Sound Editor:
2017  Gigi
2018  Helmet Heads
2020  Land of Ashes
2021  Gregorio
2021  The Ghost Girl
2022  Ways of Fishing
2023  I Have Electric Dreams
2023  Los Gigantes
2023  The Loves of a Witch
2024  Threnody
????  The Eye and The Light

Sound Mixer:
2015  Imprisoned
2017  Gigi
2018  Helmet Heads
2020  Land of Ashes
2021  Gregorio
2021  The Ghost Girl
2022  Ways of Fishing
2023  I Have Electric Dreams
2023  Los Gigantes
2023  The Loves of a Witch
2024  Threnody
????  The Eye and The Light

Sound Re-Recording Mixer:
2015  Imprisoned
2017  Gigi
2018  Helmet Heads
2020  Land of Ashes
2021  Gregorio
2021  The Ghost Girl
2022  Ways of Fishing
2023  I Have Electric Dreams
2023  Los Gigantes
2023  The Loves of a Witch
2024  Threnody
????  The Eye and The Light

Supervising Sound Editor:
2015  Imprisoned
2017  Gigi
2018  Helmet Heads
2020  Land of Ashes
2021  Gregorio
2021  The Ghost Girl
2022  Ways of Fishing
2023  I Have Electric Dreams
2023  Los Gigantes
2023  The Loves of a Witch
2024  Threnody
????  The Eye and The Light

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.