A work in constant progress (and occasional regress).
Paul Yee is a cinematographer based in New York City. He recently completed Tina Satter's Reality (HBO, Berlinale 2023) and Adele Lim's Joy Ride for Lionsgate and Point Grey. Previously, he lensed The Fits (Venice 2015, Sundance 2016), Anna Rose Holmer's debut feature, that the New York Times described as "a dreamy, beautifully syncopated coming-of-age tale" and Colewell, directed by Tom Quinn, that premiered at the San Francisco International Film Festival in 2019 and went on to receive two Independent Spirit Award Nominations.
Cinematography:
2014 Wyatt Cenac: Brooklyn
Director of Photography:
2014 Wyatt Cenac: Brooklyn
2015 East of Main Street: Taking the Lead
2019 Colewell
2023 Joy Ride
2023 Reality
Director of Photography:
2020 The Stranger
2023 Stolen Youth: Inside the Cult at Sarah Lawrence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.