A work in constant progress (and occasional regress).
Birthplace:
Lewisham, London, England, UK
Sarah Quist is a singer songwriter, actress, writer, director and producer. She cut her professional teeth as a singer working with great musicians such as Herbie Flowers, Steve Grey from ”Sky” Hazel O’Connor and others, whilst playing in famous London venues such as Ronnie Scotts, The 100 Club and The Bass Clef. Since then she has been wowing audiences with her big soulful voice singing Jazz, Blues and Soul with various bands on different countries including US, Australia, Spain, Thailand and more. She has also recorded on several albums over the years. She was lucky enough to work on an album in Memphis with the legendary soul producer Willie Mitchell, who produced such greats as Al Green, Tina Turner and many many more. As a band-leader and songwriter she has her had several bands including 'Indian Spring' and 'The Sarah Quist Quartet' where they performed covers and original material. As an actress Sarah trained at the Royal Academy of Dramatic Arts (RADA), has worked on several different seasons with the Royal Shakespeare Company, The National Theatre of Scotland, Disney productions, Talawa and many others. These have been incredible experiences - working alongside people such as Vanessa Redgrave, Alan Cumming, Don Warrington, Rufus Norris, Alecky Blythe, Phillip Voss, John Tiffany... She recently appeared in was King Lear which was a joint production between Talawa and Birmingham Repertory Theatre. She is currently part of the cast of the Tom Stoppard play Travesties directed by Patrick Marber. As a teacher Sarah is one of the Co-Founders of Creative Awakenings. They work using the arts to facilitate learning for schools and community groups. They look at improving peoples confidence, communication skills and social skills.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.