A work in constant progress (and occasional regress).
Birthplace:
Winnipeg, Manitoba, Canada
Born in Winnipeg, now living in Toronto, Hope Peterson holds an MFA from Concordia University in Open Media. Hope is a media artist and filmmaker working in experimental, documentary and installation genres. Her artistic practice references the tension of isolation, transition, surveillance, privacy and the pressures of living in a landscape mediated by technology. Her work has exhibited nationally and internationally and is in the collections of the University of Winnipeg and the National Gallery of Canada. Hope is also a cultural worker primarily in artist-run centres, and is an experienced grant writer, adjudicator and mentor.
Director:
1998 Memorial Park
2005 Ambit
???? Threshold Economics
Editor:
1995 A Day in the Life of a Bull-Dyke
1998 Memorial Park
2005 Ambit
???? Threshold Economics
Producer:
1995 A Day in the Life of a Bull-Dyke
1998 Memorial Park
2005 Ambit
???? Threshold Economics
Story:
1995 A Day in the Life of a Bull-Dyke
1998 Memorial Park
2005 Ambit
???? Threshold Economics
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.