A work in constant progress (and occasional regress).
Paulo Menezes is a Brazilian filmmaker currently studying directing at the DFFB. He has worked on various documentaries for the BBC and Al Jazeera in the UK. His film Lolo (2019), about gay kids navigating a heteronormative world, screened in more than 200 festivals around the world. His next short Pommes Paradies premiered at Filmfest Dresden and was selected by AG Kurzfilm as part of their Cannes catalog in 2021. His short It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live (2021) screened in many festivals including Uppsala, BFI Flare, and Kurzfilm Festival Hamburg to name a few. At Filmfest Dresden the film took home the German Film Critics Award as well as the LUCA award in 2022.
Associate Producer:
2022 When The Trees Come
Colorist:
2022 Editor Contra
2022 When The Trees Come
2024 Francisco Perdido
Director:
2019 Lolo
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2021 The Male Gaze: Hide and Seek
2022 Editor Contra
2022 Male Shorts: International V4
2022 When The Trees Come
2023 Paradise Europe
2024 Francisco Perdido
???? Não Vai Ter Sangue
Director of Photography:
2019 Lolo
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2021 The Male Gaze: Hide and Seek
2022 Editor Contra
2022 Male Shorts: International V4
2022 When The Trees Come
2023 Paradise Europe
2024 Francisco Perdido
???? Não Vai Ter Sangue
Editor:
2019 Lolo
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2021 The Male Gaze: Hide and Seek
2022 Editor Contra
2022 Male Shorts: International V4
2022 When The Trees Come
2023 Paradise Europe
2024 Francisco Perdido
???? Não Vai Ter Sangue
Executive Producer:
2019 Lolo
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2021 The Male Gaze: Hide and Seek
2022 Editor Contra
2022 Male Shorts: International V4
2022 When The Trees Come
2023 Paradise Europe
2024 Francisco Perdido
???? Não Vai Ter Sangue
Producer:
2019 Lolo
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2021 The Male Gaze: Hide and Seek
2022 Editor Contra
2022 Male Shorts: International V4
2022 When The Trees Come
2023 Paradise Europe
2024 Francisco Perdido
???? Não Vai Ter Sangue
Screenplay:
2019 Lolo
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2021 The Male Gaze: Hide and Seek
2022 Editor Contra
2022 Male Shorts: International V4
2022 When The Trees Come
2023 Paradise Europe
2024 Francisco Perdido
???? Não Vai Ter Sangue
Writer:
2019 Lolo
2021 It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live
2021 The Male Gaze: Hide and Seek
2022 Editor Contra
2022 Male Shorts: International V4
2022 When The Trees Come
2023 Paradise Europe
2024 Francisco Perdido
???? Não Vai Ter Sangue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.